A Walk Through The First Location Of Gotham Book Mart

The First Space

The original location of Gotham Book Mart, also referred to as GBM, was a small basement space on 128 West 45th Street near the theater district in New York City, New York. It was originally called Gotham Art and Book Mart. The space for the store was on the right side of the street, Hudson Theater was a couple of doors away, Lyceum Theater was across the street, and next door to the original shop was Claire’s dress shop.

Hudson Theater Hudson Theater    Lyceum Theater Lyceum Theater

Steloff talks about the first time that she toured the space saying, “I asked the woman there about the space, and she took me around the back way. As she stood in the doorway between the two rooms-one had been the dining room, the other the kitchen with a huge built-in stove still there partly boarded-up.  It was a brownstone English basement, three steps down, which was set back between two remodeled buildings. I looked in the window, which had an old cloth stretched across the inside. The door was also draped…if I would want the back room later on, it could also be arranged.  Here at least I would have the front room and the window, small though it was, entirely to myself” (Steloff 749-750).  In the shop, it is said by the owner that “only the west wall of the room had shelves-that was all I could afford.  On the opposite side, next to the fireplace, was a bookcase which I had brought from my own apartment, and there was a rather long table spread with books” (Steloff 755).

“We took everything that could be used in the shop: bookcases, table, desk, chairs, pictures, and books.  I spent the day arranging the books to make the best showing, as there weren’t enough to fill half the shelves on the one side. The opposite wall had a fireplace with gas logs and a marble mantle, my bookcase on one side and a borrowed bookcase on the other, and above them prints” (Steloff 751).  Frances Steloff made her bookstore feel like a home away from home to her customers.  She created a store ambiance that made her clientele feel like “house guests in a relaxed yet exciting enviroinment” (Miller 94).  David came in the evening, and I went out for food. He brought some old novels the salesmen had given him as they were published. They helped to fill the empty shelves. The next morning the sign was put up and I was ready for business” (Steloff 751).  Steloff goes on to write, “Gordon Whyte was one of the earliest friends of GBM. He came in a week or two after we opened and was delighted to find an out-of-print book that he had been searching for for years. He looked over all the books I had. Only the west wall of the room had shelves-that was all I could afford. On the opposite side, next to the fireplace, was a bookcase which I had brought from my own apartment, and there was a rather long table spread with books. It didn’t take Gordon Whyte long to look over my stock” (Steloff 755).  For what the collection lacked in quantity, it made up for in quality.  Steloff’s customers stayed true to her, and her store, and returned many times to purchase books and to enjoy Steloff’s company.  Below is the floor plan for the first location of Gotham Book Mart.

 

 

“Things” Sold in Gotham Book Mart

Frances Steloff sold things, not objects, within her store.  Her items had innate value because Steloff had chosen them herself.  A blog stated that, “Frances Steloff opened Gotham Book Mart in 1920 after selling books from her window with a sign that said “Interesting Books Selected by Myself” (“Wise”).  To Steloff’s customers, this statement is all that needs to be known about GBM.  The owner had impeccable taste and chose each and every copy of each book that she bought and sold, making this collection her own.  In his work, Thing Theory, Bill Brown writes, “things do not exist without being full of people” (Brown 12).  This is certainly true within the walls of Gotham Book Mart.  These novels and their innate quality would not exist if it were not for Frances Steloff.

A blogger wrote that, “The Gotham and Miss Steloff championed the experimental and challenged the censors over the years.  She supplied James Joyce’s books to US readers as they were published, including those with legal difficulties from the US’s obscenity laws, a service she also provided for D.H. Lawrence and Henry Miller’s work.  She was one of the founding members of the James Joyce Society,and Joyce himself occasionally ordered books directly from Miss Steloff” (“Wise”).  Many of the pieces that were sold by Steloff were second-hand items.  Morgan says, “Much of her [Steloff’s] buying was of second-hand books; she held them until they were wanted, and then sold. Indeed, if a desirable title was not available, GBM was adamant about getting it out to the public” (Morgan 741).

 

Works Cited

Text:

Brown, Bill. “Thing Theory.” Critical Inquiry 28.1 (2001): 1. Print.

“Gotham Book Mart.” – WoD Gotham. N.p., n.d. Web. 20 Oct. 2013. <http://wiki.wodgotham.com/index.php?title=Gotham_Book_Mart>.

“J O H N N Y D E P P Z O N E • Information.” J O H N N Y D E P P Z O N E • Information. N.p., n.d. Web. 20 Oct. 2013. <http://www.johnnydepp-zone.com/boards/viewtopic.php?f=7>.

“Jackie as Editor: The Literary Life of Jacqueline Kennedy Onassis (Google EBook).”Google Books. N.p., n.d. Web. 20 Oct. 2013. <http://books.google.com/books?id=naxsJlzGD3wC>.

Miller, Laura J. Reluctant Capitalists: Bookselling and the Culture of Consumption. Chicago: University of Chicago, 2006. Print.

Steloff, Frances. “In Touch With Genius.” Journal of Modern Literature 4.April (n.d.): 749-882. Print.

“Wise Men Have Fished Here: Homage to the Gotham Book Mart | Bud Parr. The Personal Site of Bud Parr.” Bud Parr The Personal Site of Bud Parr RSS. N.p., n.d. Web. 20 Oct. 2013. <http://www.budparr.com/article/wise-men-have-fished-here-homage-to-the-gotham-book-mart>.

Images:

“Encore Editions – Fine Prints and Frames since 1996.” Hudson Theatre and the Quality Shop, New York, N.Y. Print. N.p., n.d. Web. 20 Oct. 2013. <http://www.encore-editions.com/hudson-theatre-and-the-quality-shop-new-york-n-y>.

“New York City Structures: Lyceum Theatre.” The Epoch Times » The Epoch Times Is an Independent Voice in Print and on the Web. We Report News Responsibly and Truthfully so That Readers Can Improve Their Own Lives and Increase Their Understanding and Respect for Their Neighbors next Door and around the Globe. N.p., n.d. Web. 20 Oct. 2013. <http://www.theepochtimes.com/n2/united-states/new-york-city-structures-lyceum-theatre-162615.html>.

 

Two Women, a Bookstore, and a Dream.

 

I feel that bookstores have (and will continue to be) important places, beyond their role in just being able to be a place where one can go to buy books. They can be an important place of social discussion and change, but even past all that, they are a place to meet other people, and talk. And no, I’m not saying that bookstores are the only places that such interactions take place. Interactions like this can happen almost anywhere, from the sidewalk (walking your dog) to the supermarket, to the gas station at the corner of Brook and Pine. What I am trying to say here is that while such interactions aren’t strictly speaking unique to the bookstore, the kinds of people the store draws to it are what make for a unique gather place.

 

AVT_Adrienne-Monnier_3261In order to better understand the store Shakespeare and Company I feel that it is essential to know a little about the people who owned, operated, and helped build the store up, both physically and reputation-ally. Though she didn’t create the store Shakespeare and Company herself, Adreinne Monnier could be called its co-founder, alongside Sylvia Beach. But that’s getting ahead of ymself. First we have to understand how Monnier was in such a position in the first place.

In 1915, Adrienne Monnier was the first woman in Paris to open up her own bookstore (called La Maison des Amis des Livres). At the time, it wasn’t unusual for a wife to work alongside her husband, or for a widow to continue the work of their husband if they owned the store, but Monnier was an anomaly to the Parisians because she started the bookstore all on her own, without the help of a husband or other male figure. But despite its unusual starting point the store managed quite well during the first World War, and even after its end in 1918. During this time the shop Monnier opened became both a store as well as a lending library, though due to the war, it managed to scrape by, as most people at the time were too busy either helping with the war effort, currently involved in the fighting of the war, or trying to rebuild during it, though Monnier herself didn’t actively partake in the support or rebuilding efforts of the war.

 

sylviabeachThough Sylvia Beach’s participation in the first world war was strictly agricultural (she helped grow food for the war in Touraine) she found herself moving to Paris after the war’s conclusion. earlier in her life, she’d lived in France with the rest of her family, but the time they’d spent in the country was short before they moved back stateside. Beach met Monnier when she found Monnier’s bookstore noted in a French news journal and decided to seek out the small store. By most accounts this first interaction went well, and the two took to each others company. But it was more than that. By all accounts the two were drawn towards one another as more than just two people who loved books. The two became good friends, and eventually lovers. The two worked together, to try and shape what the reading landscape for the city (or at the very least their arrondissement would look like. In 1919, with the encouragement of Monnier, Beach made her own bookstore called Shakespeare and Company, in the 6th arrondissement on 8 rue Dupuytren, specializing the store in modern literature, and catering to a growing english-speaking portion of the Parisian population.

 

Through Monnier, many well known writers, artists, and thinkers found their way to Shakespeare and Company. Notably among them were TS Elliot, James Joyce, F. Scott Fitzgerald, Ezra Pound, and Ernest Hemingway. Interestingly enough, Hemingway got to know Monnier and Beach personally, going so far as to help them fix and maintain their bookstores when they fell out of shape. During this time, Shakespeare and Company served as a gathering spot for many members of what would later be called the Lost Generation of writers (Hemingway among them), as the store served as a place where those who had served as soldiers in the war, or even those who had been effected by it could meet, discuss, and write trying to make sense of what had happened and their place in the world.

Hemingway seen on far right, with Sylvia Beach to his left. Alongside them two assistants
Hemingway seen on far right, with Sylvia Beach to his left. Alongside them two assistants

The store also became a lending library both for the normal Parisians, and for that growing english speaking demographic. Now where this increasingly english-speaking (or even bi-lingual) section of the population came from doesn’t have any direct cause, there was certainly an increased influence in the city from America’s involvement in the first World War, and possibly other English speakers (most likely American) moving to the city to live and partake in the cultural exchange. That’s because the 6th arrondissement (along with the 7th) have been traditionally seen as housing the wealthier inhabitants of the city of Paris. Though, during the late 1910’s and early 1920’s, that population of wealthy elite went down in favor of more of a bohemian/intellectual population, who took advantage of the cheaper housing of the time.

 

 

 

But the  scene was not only brought by the growing bohemian population. Writers seeking freedom from censorship migrated into the city, and Monnier and Beach were at the epicenter of this influx of writers, their stores serving (often) as a place for writers and artists new to the city to take a night and rest, and also to make connections with others, as well as finding work and a place to live. They found Sylvia’s bookstore refreshingly radical in its overall book stock and often recommended it to their colleagues who had yet to make the journey to France, or were preparing for such a journey. And when they’d arrive Beach would greet them into her shop with open arms, a cup of tea, and often a good place to sit down and read a book, besides just being a respite from the hardships of their travels.

 

The original store was also the sight of a smuggling operation, though nothing on the scale or not-exactly-illegal-ness of drugs or contraband. Instead, Sylvia Beached helped to ship and smuggle copies of James Joyce’s novel Ulysses into the United states, England, Ireland, and other countries, where the book had initially been banned due to its, at the time, pornographic content. In the process she risked both some of her finances and her own reputation, but she helped Joyce because she believed the book should be read.  Though effort to get Joyce’s book into the hands of other readers worked out not biting Beach in the ass, Joyce never actually thanked her for her efforts, both financial and emotional.

Sylvia Beach and James Joyce
Sylvia Beach and James Joyce

 

Sylvia Beach continued to run Shakespeare and Company as the store managed to eek out an existence into the 1930s, when most Americans left the country due to fluctuating exchange rates. Sylvia kept the store open and available for the public as well as to all the writers and artists who used it as a central hub of communication as well as a place to gather and physically meet. Loyal friends going so far as to help  keep the store open by taking yearly subscriptions during extremely lean years. In 1937, Sylvia was awarded a Knight of the Legion of Honor, a gesture which she took great joy in. She is said to have worn the ribbon frequently even during the second world war. In 1939 the German army occupied Paris and Sylvia chose to remain in the city, as it was her home than. Beach by that time had a reputation for rebelling against censorship, and it didn’t take long for the German occupational forces to start putting pressure on her, to divulge information about Jews she was suspect of hiding, and other information. In 1941 Beach was forced to close the shop down after refusing to sell her last copy of James Joyce’s Ulysses to a German officer. Though the direct cause of the closing of the store was never written down, I suspect it was due to increased costs to live in the city alongside maintaining a bookstore. Sylvia with the help of friends, moved the entirety of the stock to the upper levels of the store, boarding up the windows before locking the doors and leaving to live with Monnier.  The store remained closed until in 1944, Hemingway symbolically “liberated” the store from German occupational forces. But it remained closed, and never reopened.

 

Despite the fact the Sylvia never reopened the original store I think it is very important to remember how the store acted as a “mecca” for writers and artists from the 1920’s and into the 30’s, as a place where they could work and distribute their work without as much censorship as they might in their own home cultures/societies. As having a place where people could talk adamantly about what they saw or tell a story as they best saw fit is not only a service, but possibly a requirement of an establishment trying to bring a modern outlook to the landscape of literature.

8 Rue Dupuytren, Paris, France
The original spot of Shakespeare and Company abandoned was still sitting abandoned since the 1960s.

 


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Picture of Monneir:

http://www.babelio.com/auteur/Adrienne-Monnier/95625

 

Picture of Beach:

http://www.thehemingwayproject.com/in-praise-of-sylvia-beach/

 

Photo of 1960s location of Shakespeare and Company orignal location:

http://sindbadvailspoints.blogspot.com/2012/04/normal_18.html

 

Info regarding Sylvia Beach’s Award:

Sylvia Beach and the Lost Generation: A History of Paris in the Twenties and Thirties” by Noel Riley Fitch. Page 386.

 

Info regarding Adrienne Monnier:

http://fernham.blogspot.com/2010/07/sylvia-beach-week-adrienne-monnier-1892.html

 

Info regarding Beach’s actives prior to opening Shakespeare and Company:

https://sites.google.com/site/johnbaxterparis/home/sylvia-beach-and-shakespeare-and-company

http://www.thehemingwayproject.com/in-praise-of-sylvia-beach/